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Notwithstanding all the
purely commercial productions around, music is still a means of
expression and demand. That’s the way Dubioza Kolektiv wants to use it.
This 8- member band, from Bosnia-Herzegovina, wakes up their country’s
youth and reminds the world of its existence. They put upon tunes mixing
different styles of rock, reggae and ethnic music, lyrics in English
about the political and social situation of their country. |
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Dubioza Kolektiv was created in 2003 by
some musicians coming from different bands: Adisa Zvekic, Adis
Zvekic, Almir Hasanbegovic and Emir Alic were in the Gluho doba
against Def Age, from Zenica (BiH) ; Brano Jakubovic and Vedran
Mujagic had previously set up Ornamenti (Sarajevo). Then, the
guitar player Armin Busatlic (ex - SCH, Beastly Stroke) joined
the Kolektiv.
Dubioza recorded its first auto produced album for Gramofon Rec
in April, 2004. After 7 months, they released their second
album: EP Open Wide. The third one, Dubnamite, which hosts
people like Defence (Tuzla, BiH) and Niköll (Nicolas Cante -
France), came out for Gramofon in June, 2006.
Duboiza was invited to the “fête de L'Huma” on last September,
15th and we seized the opportunity to ask them for an interview...
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Can you introduce youselves briefly ?
Dubioza is a real Bosnian-Herzegovinian band (4 are from Zenica,
3 from Sarajevo and the last one who joined the band, the
drummer, is from Mostar) ; most of us are Muslims but some are
from mixed marriages.
Dubioza started more as our expression of meet to react to the
political situation in BiH than like a real musical project. Its
was made from very intentional searches, socially engaged, and
the music aspect of the band was more on second plan. The
project started in Sarajevo, talking about the situation there,
drinking coffee. We all have been in music for more than 10 year.
In mid 2003, we just met up to put together all we have learnt.
We all have so different influences, from Hip Hop to Hardcore.
We just started practising together and we released our 1st
album, which was kind of homemade, without a proper studio
production. Since then we have been playing more than 80 gigs,
mostly big festivals abroad. This summer we played almost every
week-end, something between 30 & 40 concerts in Czech Republic,
Slovakia, Austria, Bulgaria, Germany, Slovenia, Hungary (sziget
festival 2003, 2004 on the Afro Reggae stage),…
Actually 8 is the maximum up limit cause 8 can fit in a van, 5
or 8 is the same.
Music is like a way to survive for the spirit and to spread the
word about Bosnia.
Your 1st date in France was “La Fête de l’Humanité” : does it
have any special meaning for you ? What will stay your favorite
moment during this festival ? What are your feelings about it ?
The first gig somewhere is always important and the context for
this one was also special. It is good to see the activist part
of the social life of a country, to see how the people are
connected, work together to organize such huge event. It’s a
beautiful way to get the society very closed to their opinions,
choices. Whereas in our country we don’t have such events ; just
a month before an election, they put posters all over the
country, they spend all the budget just on promoting the
election.
Musically it is always very exciting to play for the first time
somewhere, especially in big cities. We hope we will come back
next year in this festival.
How hard is it to be recognized for a young Bosnian band ?
No one recognize us, we have to do it all by ourselves.
Bosnia is a small country, there is no real music scene, not too
many bands are working. And we have many other difficulties. As
most of the major media ignore existence of bands talking about
politics, they just want stupid folk bands talking about nothing
on TV because the ruling class still doesn’t want to hear and
talk about problems. So it is very hard to make your way to the
media. For the last year and a half we have had more appearances
on TV in political talk shows than in music ones. It is the only
way to get to the media because the music industry is
undeveloped. There is no place for us.
To play abroad is another problem. Actually, being a Bosnian is
a problem. We need to get a visa, we spend a lot of money for
the transport since there is no cheap company flying here. You
have to spend more than two weeks working on visas and most of
promoters don’t want to spend time on it. Some embassies are
supporting and give visa for free, like the French Institute,
the Austrian embassy, but some like the Dutch, the Italians are
really strict and you have to pay in any case… The visa is only
from country to country. And even France gives you like a 5 days
visa so it means you go and come back, you can not spend some
time there to make contacts.
Any special message to the young people in your concert ?
When we play in a country like Slovakia we know what to tell
them, because they almost lived the same. The Separation between
Slovakia and Czech republic was quite the same as in Yugoslavia
. But the difference is that it didn't happened on such badly
way than in Bosnia . That's why we are telling them that they
are lucky, they didn't lived a war.
And in other countries we try to spread the good word that
Bosnia is not the place of terrorism as they present it and that
because this very small amount of people imported during the
war, we suffer of such bad image whereas religion has nothing to
do with terrorism. They use it as a cover. And I am more afraid
of the evil empire of the United States than of all those
terrorists, because they are terrorists.
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